All Posts

So excited to announce that we have been taken on to score the neo-noir short film Single Player by Deadline Productions!

With the ease of creating a large amount of music quickly at very low cost it may seem like a no-brainer to throw a few prompts into an engine and have it churn out a solution to your musical needs. So why wouldn’t filmmakers just use AI?

The integration of VSL’s Vienna Ensemble Pro software into our workflow has become an excellent cross-platform network solution.

On the surface this may seem pretty basic. Choosing an instrument such as a sitar can instantly transport you to India, the Erhu and south Asia or the Bagpipes and Scotland.  This is obvious and instinctual to everyone, musical or not, but how does instrumental choice go deeper than this?

We're excited to announce a new film partnership, working with Rio Swatton again.

We have embarked on a new album of writing horror and crime music cues for our publishers Atomica Music and Dark Horse publishing

This was a high-profile, quick-turnaround project destined for a performance at Lord’s Cricket Ground. The music needed to be instantly accessible for musicians to sight-read under pressure.

This year has started off with a great number of placements for us, and many seem to be focused around food shows. 

We are excited to get started on the score and embark on our journey with an enthusiastic and talented new director.

We are delighted to have another 12 track album released with our publishers in Los Angeles, Pink Shark Music.

Finding the right composer requires a structured vetting process that mirrors your traditional casting calls to filter through the sea of available talent. This guide explains how to attract high-quality creatives by using clear project briefs, realistic budgeting, and strategic networking.

Vicki and Jonny are two of the most versatile musicians of the folk circuit today and boy do they know their stuff when it comes to folk instruments.

Here is an example of a recent request for production music off the back of a previous successful project.

Today marks a year since the opening of the Charlotte Tilbury flagship store in Covent Garden.

The first introduction between a director pitching their concept and a composer who is trying to get the job can be filled with unknowns. So what should be discussed?

We’re now ready to take you behind the scenes on our music composing process!

Deer Park Studios had the great pleasure in composing the music for The Home County video game – now available to buy!

Deer Park Studios were delighted to compose the music for The Home County video game

Creating a soundtrack for a film is a fairly involved process that requires collaboration with a number of people at each stage. It is important to always keep in mind that a composer is usually the audio lead for the soundtrack but in the grand scheme of the project they answer to the director and producers of the film. They have the expertise but the final say can be altered at any point by the directors and leads. It is our job as composers to bring to life their vision. P

This article aims to give new film makers a brief overview of how to budget music for your first film.