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Here’s a fairly interesting request we had come in: "the DJ has done the arrangement and all the details have been cleared on their end, we just need a guide score for our live performers to follow for the gig... and that’s all I can tell you!"

Dir. JeongHoon Jang We are thrilled to be invited to work on the music for The Korean Class feature documentary produced by JeongHoon ‘Jay’ Jang. Jay studied Film and Television Production at Bournemouth Film School (BFS) and Bournemouth University from 1997 to 2000. Since then, he has found a base in London as a DoP, working on numerous broadcast documentaries and current affairs programmes for South Korean broadcasters across Europe. After filming and preparing this documen

Thanks to Scott Meath and Atomica our new production album release, Royal Dramedy, is available for licensing now! A collection of formal orchestral arrangements blending regal pageantry with light hearted mischief. Rhythmic strings and stately woodwinds underscore themes of palace intrigue, social etiquette, and aristocratic scandal. You can listen to all 16 tracks here: Atomica Music: Royal Dramedy

Through study and training in music college musicians are taught time and time again to listen for the melody.

The first trailer for Deerstalker is here!

Our most recent request was to provide music for a new album that re-imagines the iconic theme of Ravel’s Bolero in many styles.

In late September last year I had the great fortune to record with the Budapest Scoring Orchestra, one of Europe’s most sought-after ensembles for film, television, and video-game music… and it was nothing short of revelatory.

From the moment Rob started speaking it became immediately apparent that here is a guy who is down to earth, approachable, and oozes passion for his craft. But it wasn’t just a talk from a successful professional inspiring a room of future filmmakers. At the core of Rob’s talk sat key takeaways valuable to all who work in a creative sector.

Creating the score for the 2026 short film Deerstalker was an interesting one, requiring a still ambience that did not feel stagnant, allowing for a natural space and an ancient threat. The score needed to provide an unsettled tension throughout with moments of sheer panic.

So excited to announce that we have been taken on to score the neo-noir short film Single Player by Deadline Productions!

With the ease of creating a large amount of music quickly at very low cost it may seem like a no-brainer to throw a few prompts into an engine and have it churn out a solution to your musical needs. So why wouldn’t filmmakers just use AI?

The integration of VSL’s Vienna Ensemble Pro software into our workflow has become an excellent cross-platform network solution.

On the surface this may seem pretty basic. Choosing an instrument such as a sitar can instantly transport you to India, the Erhu and south Asia or the Bagpipes and Scotland. This is obvious and instinctual to everyone, musical or not, but how does instrumental choice go deeper than this?

We're excited to announce a new film partnership, working with Rio Swatton again.

We have embarked on a new album of writing horror and crime music cues for our publishers Atomica Music and Dark Horse publishing

This was a high-profile, quick-turnaround project destined for a performance at Lord’s Cricket Ground. The music needed to be instantly accessible for musicians to sight-read under pressure.

This year has started off with a great number of placements for us, and many seem to be focused around food shows.

We are excited to get started on the score and embark on our journey with an enthusiastic and talented new director.

We are delighted to have another 12 track album released with our publishers in Los Angeles, Pink Shark Music.

Finding the right composer requires a structured vetting process that mirrors your traditional casting calls to filter through the sea of available talent. This guide explains how to attract high-quality creatives by using clear project briefs, realistic budgeting, and strategic networking.